If this Exaggeration of despair essays the predicament of uncertainties posited by postmodernism, it contributes to the weak link in the production of the native novels that rely on these tendencies. The scene self-consciously makes references both to itself and the film on which it is based.
But I do have questions about how we might productively discuss Reservation Blues in its connection to postmodern sensibilities, if only to speculate. The mountains from all the directions had been gathered there that night. Again, toward the conclusion of the novel, Victor is visited by the ghost of Junior Polatkin "Happy reservation fucking Halloween," Junior said, and Victor screamed, which made Junior scream, too.
Victor, incapable of coping with rejection, turns to the bottle for solace, the tragic failed artist. The resemblance to other script-minded novels, and the cultural mis representation in Spike Lee films should be examined in relation to how native culture is modified in Reservation Blues.
Too, as a parody, the novel operates to reinforce that native people are incapable of self-analysis or thoughtful commentary on contemporary social dilemmas.
Sioux culture is disparaged in the personage of this "man who-was-probably-Lakota. By being able to connect with emotions in a vulnerable place and show these feeling in a tangible medium, the authours were able to establish their perspective and allow the reader room to feel and understand these viewpoints as well.
The danger is with the gross representation becoming implicit. It is an odd perspective, given that we are told early in the novel that the Spokane "were mostly a light-skinned tribe" 4 which implies that the Spokanes are the products of interracial mixing.
The traps of popular culture inform Reservation Blues to the extent that discussion of pop culture and postmodern sensibilities need be called upon I begin with a generalization In Reservation Bluesalluding to popular culture as a literary strategy does not serve as either a parody or as a serious interrogation of popular culture.
The portrayal of alcoholism that has been rampant through the generations cannot be denied and presents a paradox with which native writers must grapple. This character is referred to as "the-man-who-was-probably-Lakota.
It is a partial portrait of a community wherein there is no evidence of Spokane culture or traditions, or anything uniquely Spokane.
He worried about the children of mixed-blood marriages. I would like to begin by comparing how Reservation Blues In Reservation Bluesthe cinematic style is apparent from the start.
Not all of the characters in Reservation Blues are tragic though. Stereotyping native peoples does not supply a native readership with soluble ways of undermining stereotypes, but becomes a part of the problem, and returns an image of a generic "Indian" back to the original producers of that image.
When we examine how stereotypes of Indian are returned to the source of their original production and the dynamics that come into play in Reservation Bluesthe impress of colonial influence become more apparent.
When Indian women begin the search for an Indian man, they carry a huge list of qualifications. A colleague has pointed out that referring to pop culture is not the problem it becomes problematic, however, when this is the only exposure to native literature to which mainstream readers are exposed.
Then they run off with white women. Why do all these white people think they can be Indian all of a sudden" ? In what is termed cosmopolitan or postmodern literature in my understanding of its manifestations - might find a limited context if we are speaking of its connection to literary and media productions where the images that have been produced from a period are mirrored back to the original producers.
Allusion is a device through which Reservation Blues becomes self-conscious of its own constructions. The buffer in Reservation Blues is to sugarcoat the picture with enough side-tracks and comic scenes to tone down the real issues.Reinventing the Enemy's Language: Contemporary Native Women's Writing of North America, Joy Harjo and Gloria Bird (editors), W.W.
Norton. Anthologies Edit.
River of Memory: The Everlasting Columbia, William D. Layman (editor), Washington Univ. Pr. Without Reservation: Indigenous Erotica, Kateri Akiwenzie-Damm (Editor), Kegedonce.
Oct 10, · The Exaggeration of Despair Sherman Alexie shows how horrendous circumstances are for the Native Americans. “The United States is the freedom-loving country where Americans fought each other over the right to own slaves! A woman I worked with once was writing a documentary about the Native American experience in this era of ever more dissolution of Native identity this poem makes me want to find her again, see if she has figured out a path from words to film yet.
Good Essays words ( pages) Staying True to Self: Examining the Elements which Hinder Assimilation in Sherman Alexie’s Reservation Blues and Tyehimba Jess’ Leadbelly - Assimilation by any standard is conversion.
Exaggeration seems to be the rule (a symptom of postmodern literature); it is the exaggeration of despair without context that doesn't offer enough substance to be anything more than a "spoof" of contemporary reservation life.
Yet, despite its flaws, there are some aspects of the novel that ring true and are plausible as real lived experience. Exaggeration of Despair in Sherman Alexie's Reservation Blues Gloria Bird realizes that for generations Native Americans have had drinking problems, and she also realizes that it is difficult for “native writers to accurately represent our communities without exploiting them.”(G.
Bird) However, Bird criticizes Alexie of embellishing or exaggerating the .Download